RENDERING is the unfolding of Inês Carijó’s Master in Dance research inquiry into how the body becomes visible under the conditions of algorithmic self-exposure. Visibility is not free; it is formatted, mediated, calculated. The selfie emerges as a micro-choreography of the self: a rehearsed, repeated, adjusted, and filtered gesture. A choreography on demand, shaped by the expectation of legibility. Identity inscribes itself on the surface between the skin that senses and the screen that demands. The body moves closer in order to exist, and in that effort, it is continually molded. It is not about appearing more. It is about what still insists when everything has already been shown.